Saturday, December 28, 2019

PLANNING: HOT SEATING - JACK MASTERS

For our film trailer - III Dayswe decided to take a step further into the life of our main protagonist character, Jack Masters. We were able to develop his character further through the use of a hot seating exercise, whereby we "investigated" his role in the film. We were inspired by an article written by Charlie Sierra about building the back story to film characters in which he quoted from Riding the Alligator, a book written by Pen Densham, an Academy Award nominated filmmaker. In one of the chapters in the book, he provides a check list of questions every writer and director should ask of themselves when they are developing their characters. The purpose of this is to outline a deep understanding of your characters for both the actors and director, and for motivating a character’s choices or actions.

Jack Masters - Character Interview

Our film trailer focuses on the unfortunate involvement of a teenage boy in a murder investigation, incorporating the idea of "wrong place, wrong time". We decided to incorporate an interview whereby his involvement is wrongly inferred, similar to one of the scenes integrated in our trailer. Here he is interviewed by a anonymous prosecutor, as if in a police station. This is a creative way to introduce the character while showing his stance on the murder cases. Moreover, this format matches the seriousness of the trailer and adds to the thriller genre.



Hot Seating Script:

Max: I told you… I don’t know what’s going on. I’m trying to figure this out myself!

Interviewer: What connection do you have to the victims.

Max: What? No I didn’t know them. I feel like I’m going crazy why is no one listening to me. I don’t know why these letters are coming to me. I don’t know why this is happening. I don’t know anything.

Interviewer: Hmm… this is all sounding suspicious. Is there anyone you would like to call. Perhaps a lawyer?

Max: What? A lawyer? You can’t be serious… I’m innocent.

Friday, December 27, 2019

PLANNING: HOT SEATING - OLIVIA BLAKE

Olivia Blake is the second victim in our film trailer. We imagine her character to be around early 50's, with a kind face in order to gain sympathy from the audience. We drew inspiration from Stephanie Smothers - A Simple Favour. She is presented as a single mum who runs a popular "vlog" where she shares recipes, parenting tips, and DIY how-tos. Her character suggests that of a type-A personality; over-volunteeringambitious, highly competitive - essentially a workaholic, making other parents feel like slackers. Another good example of her character includes Denna in Life Of The Party


Hot seating script

Hello fellow Mums, welcome back, sorry I missed last week I had to pick up Maddison from her hockey practice. Anyways, this week I’m going to be making a fabulous Rosemary and Thyme roast goose with an accompanying sweet potato mash. As always I’ll be taking you step by step working towards your perfect homely dinner. So make sure you tune in this weekend on my channel at three PM!!

Can’t wait to see you there...



PLANNING: PRODUCTION COMPANY NAME

Our team visualised a simple yet memorable production company name. While we discussed potential options we collectively decided a professional name was best suited to the serious tone/theme. However, having previously planned the construction of the ident, we appreciated the idea of associating the theme of light into our title.  

Therefore we came to the conclusion of our ident being 'Blacklight productions'.

Sunday, December 22, 2019

PLANNING: RISK ASSESMENT

We began our risk assessment by identifying the key hazards and risk factors which acquire the potential to cause harm during the production of the film opening, III DAYSThe risk assessment highlights the hazards/risks posed to each scene, in which we provide precautions to avoid the possibility of implications occurring.



Tuesday, December 17, 2019

PLANNING: CALL SHEET



Call sheet for the scenes in which Max Green (Jack Masters) discovers letters as well as the deaths of the victims
Shoot Date: Saturday 11th January 2020, 4 pm.
Location: In Max Green's house 
Cast: Max Green (Jack Masters)
 Camera Equipment:
 - Canon camera EOS 750D
-  Manfortto Tripod
Lighting Equipment: N/A
Props: Car keys, 3 letters, radio, newspaper article.
Costumes: Casual clothing



Call sheet for the scenes in which the detectives are investigating Max Green's (Jack Masters') potential involvement in the two previous murders.

Shoot Date: Saturday 25th January 2020, 5 pm.
Location: At Lucy's house
Cast: Max Green (Jack Masters), James Spalding (Investigator 1), Stephen Green (Investigator 2)
 Camera Equipment:
 - Canon camera EOS 750D
-  Manfortto Tripod
Lighting Equipment: Harsh, white lighting
Props: N/A
Costumes: Casual clothing for Max Green (Jack Masters), formal attire for James Spalding and Stephen Green (the Investigators)



Call sheet for the pin board final scene

Shoot Date: Friday 17th January 2020, 1 pm.
Location: In the media suite within the school grounds 
Cast: Max Green (Jack Masters)
 Camera Equipment:
 - Canon camera EOS 750D
-  Manfortto Tripod
Lighting Equipment: N/A
Props: Newspaper articles, images of the victims and scenes, pins, pin board and string.
Costumes: Casual clothing

Sunday, December 15, 2019

PLANNING: TRAILER NAME

III DAYS...

In terms of our trailer name, we were fuelled by the concept of time and equally wanted to elude to this due to the major role it plays within our productions final film trailer. Furthermore, after discussing the potential ideas with varying incorporated concepts, we found the film trailer name predisposes the audience to questions which interlink with our film. Generally, we found our trailer name creates a sense of enigma which we are able to further develop in our final film trailer.

PLANNING: SHOT LIST

Scene 
     Music andd               sound FX       
       Vision       
   Actors   
        Props       
      Shot types     
            1   
Clock tick and gradual build up of music.
Max Green (Jack Masters) walking towards house, through eye piece.
Max Green (Jack Masters)
Fish Eye Lens
Long shot through Fish Eye Lens.
             2   
Clock tick and gradual build up of music.
Max Green (Jack Masters) walking through the door after coming home and throwing keys.
Max Green (Jack Masters)
Keys
Long shot 
             3   
Clock tick and gradual build up of music.
Max Green (Jack Masters) seeing first letter on the floor beneath him.
Max Green (Jack Masters)
First letter
Long shot
             4   
Clock tick and gradual build up of music.
Max Green (Jack Masters) crouching down to pick up first letter.
Max Green (Jack Masters)
First letter

Low angle shot
            5   
Clock tick and gradual build up of music and voice-over discussing how he has been receiving letters.
We see the letter from Max Green (Jack Masters') POV as he opens it.
Max Green (Jack Masters)
First letter
POV shot
          6   
Clock tick and gradual build up of music and sound of radio discussing death of victim seen in first letter.
Max Green (Jack Masters) sitting having breakfast with the radio beside him.
Max Green (Jack Masters)
Radio
Mid shot of him having breakfast
         7      

Clock tick and gradual build up of music and sound of letter box being opened by Max Green (Jack Masters).
Max Green (Jack Masters) opening letterbox to find second letter.
Max Green (Jack Masters)
Second letter
Close up shots


          8   
Clock tick and gradual build up of music and sound of voice-over of Max Green (Jack Masters) discussing what the letter contains.
Max Green (Jack Masters) opening second letter.
Max Green (Jack Masters)
Second letter
Point of view shots
             9   
Clock tick and gradual build up of music.
Max Green (Jack Masters) viewing newspaper article discussing death of second victim.
Max Green (Jack Masters)
Newspaper article
Point of view shots
         10  
Clock tick and gradual build up of music and the detectives discussing his link with the previous murders.
Max Green (Jack Masters) and the two detectives (Stephen Green) and (James Spalding)
Max Green (Jack Masters), the detectives (Stephen Green) and (James Spalding).
N/A
Mid shot
Three shot

         11  
Clock tick and gradual build up of music.
Max Green (Jack Masters) finding third and final letter which contains his own photo and name.
Max Green (Jack Masters)
Third and final letter

Close up shots

POV shots

Reaction shots
        12     
Clock tick and gradual build up of music to climatic ending and voice-over of Max Green (Jack Masters) stating he is next to the detectives. 
Various shots of the pin board containing information from the previous victims and Max Green (Jack Masters) pinning the final image onto the board (being his own photograph).
Max Green (Jack Masters)
Pin board containing newspaper articles, letters and images of previous victims and himself.
Elongated tracking shot over pin board, and various close up shots panning over board.

Tracking shot of Max Green (Jack Masters') hand pinning final image onto board.

LUCY SPALDING CANDIDATE NUMBER 1666 CLAREMONT FAN COURT SCHOOL 64680 I worked with  SARAH MILLARD 1648 ,  MAX GREEN 1629,  ...